1945
Who’s in this?
Bela Lugosi as Armand Tesla a scientist interested in vampires who eventually became a vampire. Lugosi was a horror legend who was of course Dracula and was in tons of horror films. He was also in some poor films too and some rough spells mostly due to addiction problems and being typecast after the success of Dracula.
Frieda Inescort as Lady Jane. British born actress who had fairly regular roles for almost 30 years.
Matt Willis as Andreas an assistant and part time werewolf. Willis had over 60 credits in just over 11 years before seeming to fade away from Hollywood in the early 1950’s even though he wasn’t even 40 yet.
What’s this about?
So two people manage to kill a vampire with a stake so that’s it movie is over. Not quite, World War two comes like almost twenty years. The bombings on England shake free the vampire’s staked body. Volunteers looking for bombing survivors find the body and pull the stake out – oh, deary me no! Now they have unleashed one of the slowest moving vampires in an equally slow moving film. Vampire Tesla assumes another identity and aims for revenge. He also gets back his werewolf assistant who looks more like a doggie, talks perfectly and also seems to always be carrying around brown paper packages. The family he goes after suspects who he may be and what he may be up to, but they slowly wind their way through a creeping pace of this kind of chess game. Of course the vampire gets it in the end and everyone else is okay. Roll the credits.
The negatives-The story starts out alright and then kind of meanders it’s way through pulling as much out of Lugosi as they can. The plot is just very average and even though the film doesn’t go much over an hour it feels slow more often than it should. Some of the performance perhaps most notable Matt Willis are rather wooden.
The positives-Lugosi was hoping that Universal was going to bring him back as Dracula around this time, but they opted for John Carradine instead although eventually they’d bring Lugosi back for the Abbott and Costello meet Frankenstein film. Meanwhile rival Colombia was all to pleased to sign Lugosi and give him a cape. However they were not allowed to use the name Dracula. Even though Lugosi looks worn and puffy here he still gives a good effort and that goes a long ways here. The sets are well done too in a Universal copy kind of style. I also like the angle of having the vampire being uncovered by bombings as it fits in with the times rather just the same old gothic clichés.
Fans of Lugosi and old style horror films will find enough to enjoy, but there isn’t enough there to call it a classic or a must see.